Two Austin hosts, Monica Peraza and Nina Seely, made the 2018 Salonniėre 100 list, a project that attempts to name America’s best party hosts each year. It’s an intensely researched product of the Salonniėre website, founded and edited by our city’s Carla McDonald.
Also new to the list, which spotlights honorees from 34 cities in 28 states, this year are national celebrities such as movie star Reese Witherspoon, supermodels Cindy Crawford and Heidi Klum and singer-songwriter-actor Solange Knowles. Returning to the list are media mogul Oprah Winfrey, fashion designer Lela Rose and interior designers Ken Fulk, Alessandra Branca and Bunny Williams.
“I am deeply honored to be recognized on this prestigious 2018 Salonniere 100 list of the best party hosts in America, among bold faced names like Reese Witherspoon and my passionate friend Monica Peraza,” says Seely, most recently of the Umlauf Sculpture Garden and Museum with its Umlauf Garden Partyand now a real estate agent. “Whether hosting friends, family or creating a community event, a great party is made possible with incredible guests, and I’m so fortunate to live in a community rich with engaging, passionate and dynamic people.”
Peraza was also pleased.
“I feel incredibly honored to be on the 2018 Salonniere 100 list,” says Peraza, incoming board captain of the Long Center for the Performing Arts and founder of the Hispanic Alliance, which stages the crucial Authentic Mexico benefit at the Long Center each fall. “Not only because I have so much respect for Carla Stanmyre McDonald but also because of the other people on the list, among them Oprah Winfrey and my friend Nina Seely.”
She put in a few words for the upcoming party.
“We have had the privilege of hosting the best chefs of Mexican cuisine, both in Mexico and the United States … and of course the best in Austin, too!” Peraza says. “Eleven chefs prepare dinner every year on Sept. 16. So far over 50 chefs have been part of the Authentic Mexico Gala, including the one and only Diana Kennedy.”
9 Core Values for First Tee
Maybe I should take up golf. Everybody at First Tee of Greater Austin, which teaches character through sport, seems so amiable. And the group’s annual 9 Core Values luncheon not only spotlights its worthy efforts, the brisk ceremony reminds us of our local heroes. (Oh yes, I just remembered my hand-to-eye coordination problem.)
This year at the Hyatt Regency Austin’s large banquet hall, emcee and golf sportscaster Fred Albers introduced Stephen “Steve” F. Mona, CEO of the World Golf Foundation, who assured the big room that the golfing industry was stable and making strides with women, millennials and people of color. Then came the parade of honorees who embody the values that First Tee tries to imbue on youngsters.
The theme this year was — naturally — the golf community. So the Robert W. Hughes Philanthropic Leadership Award went to the three founders of the local chapter of First Tee — John Ellett, Tom Martin and Jay Watson. Following that lead were others from the local golf world.
Confidence: Paul Family, founders of Golfsmith
Courtesy: Barbara Puett, golf instructor
Honest: Tom Kite, World Golf Hall of Fame
Integrity: Ben Cresnshaw, World Golf Hall of Fame
Judgment: Mike McMahan, rules expert and friend of golf
Perseverance: Mary Arnold, community champion
Respect: Beth Clecker, manager of Morris Williams Golf Course
If you lived in Austin during the 1960s and ’70s, you called the oddly shaped domed structure on the shores of Town Lake the Municipal Auditorium.
If you arrived in the 1980s, it was then known as Palmer Auditorium, renamed after late Austin Mayor Lester Palmer. Maybe you referred to it jokingly as the “Green Turtle,” or variations on that theme.
If you were around during the 1990s and early 21st century, you’ll recall the seemingly Sisyphean efforts to turn that outdated 1959 building into the Long Center for the Performing Arts. Many things were tried; some failed, some succeeded.
And if you were in town March 28-30, 2008, you might have attended one many glorious events staged for the Long Center’s grand opening. One could praise right away the handsome and lively Dell Hall, the largest performance space, but also the terrace lined with columns — the result of an engineering challenge — that offered one of the finest views of the city skyline.
The center, home to the city’s top symphony, opera, ballet and choral companies, as well as to mid-sized arts groups and touring acts, is back in the spotlight this year. A larger 10th anniversary party is planned for fall 2018, but before that on March 3, the center will blaze with the talents of the Avett Brothers and Asleep at the Wheel for a celebratory concert and after party.
Never one to rest on its laurels, the Long Center staff and trustees have spent the past year reexamining the center’s role in the community. It was known in some circles a decade ago primarily as a place of refuge for the larger arts groups who were nudged out of Bass Concert Hall by the University of Texas. Yet even from days when charismatic leaders such as Cliff Redd explained the unbuilt center’s future role, it was always intended to be a place of convergence for all of the arts.
It became more than that — and, then again, sometimes less. Despite the absence of a hoped-for café or shop, the center swarmed with unexpected activity year-round, much of that outside. The place itself became the main event, not what was booked on its two indoor stages. And even those performance offerings became increasingly varied, less traditional.
Well, after spending a year with consulting creatives from the ad agency Archer Malmo, the Long Center leaders have in hand a plan to fill the spaces, including the much-loved H-E-B Terrace, with an even wider variety of entertainment.
“The landscape of Austin is changing and so are we,” says Cory Baker, president and CEO of the Long Center. “The most immediate changes you’ll see are in our programming, wherein we’re diversifying in order to set the stage for the next generation of artists.”
How that will play itself out remains to be seen. Everyone is aware of the city’s need for affordable artistic venues. What it means, however, for the current resident companies of Dell Hall and Rollins StudioTheatre, who often rehearse as well as perform there,remains unclear.
For now, branding upgrades will suffice while the staff tries to free up more dates to mix in fresh forms of shared activity.
UPDATE 1:30 Feb. 28.: We asked Baker to amplify her comments on the changes at the Long Center.
American-Statesman: What exactly do you mean by more diverse entertainment bookings in the future? The examples you use — movies, talks, etc. — are already a part of your line-up and have been for a while.
When we say diversifying programming, we are thinking beyond just adding new genres to the mix. We are focused on diversifying the experience options within the performing arts spectrum and being more intentional about our choices in order to expand our reach and engage new audiences.
We strive to be progressive, relevant and genuinely more reflective of our ever-evolving population. This means working with artists to create unique experiences for Austin – the Avett Brothers playing with Asleep at the Wheel, Bill Murray’s critically acclaimed new project – and blurring the lines to surprise our audiences by partnering with b to showcase boundary-breaking opera singer, Joseph Keckler.
We are also expanding the offerings within each genre, for instance, we are proud to present José Gonzálezand the Boston Pops (coming 2019). Our speaker series goes from world-renowned astrophysicist Neil deGrasse Tyson to iconic photographer Annie Leibovitz.
Family programming is another area where our offerings are as different as the many families that we serve, from seeing the Paw Patrol juggernaut in Dell Hall to enjoying free bubble fun on the lawn for Bubblepalooza and our All Summer Long series of community events. This is part of our current programming, and it shows the intentional choices we will be making for the next 10 years and beyond.
What exactly does this mean for the seven resident companies? Less performance time? Less rehearsal time?
The Long Center is proud to continue to be the home of our resident companies. Our strategy has been to look at the calendar and performance spaces as creatively as possible in close coordination with our partners. An example of this is that the Austin Opera graciously works with us so that we can present on their dark nights. This year, we have already presented many incredible artists … through our willingness to share the space in creative ways.
When it comes to Rollins, the venue was always intended to be a shared community asset — an accessible, affordable and practical performance space for a wide array of local artists to create and present work. With the space crisis in Austin growing and demand on the room increasing, we have challenged ourselves to think proactively about how we can serve an extended range of arts groups in the city and work creatively with our existing partners to find practical solutions that will best serve the arts ecosystem here in Austin
One can relax during the Feed the Peace Awards for the Nobelity Project at the Four Seasons Austin Hotel. You know why? Because even when the AV system crashes or a stray joke bombs, Turk and Christy Pipkin are going to smile, glide back on stage and make it all better.
The highlight of the most recent event was a speech by honoree Dan Rather who gave an oration about today’s crises so timely and rousing that every statesman wishes he or she had written and delivered it. He’s truly a treasure. I didn’t stay long enough to witness the plaudits for the Flatlanders, but they surely deserved the recognition.
Nina and Frank Seely are candidates for the best party hosts in town. Their afternoon spread for a perfectly poised Valentine’s soiree was what every guest hopes will greet them from a party buffet. The crowd fit the room and the room the crowd. Can we talk about the social star power? Carla McDonald, Venus Strawn, Wendi Kushner, George Elliman,Eva Womack, Larry Connelly, Donna Stockton Hicks, Lance Avery Morgan, Rob Giardinelli, Nona Niland, Greg Easley, JamesBryant,Richard Hartgrove and Gary Cooper were just some of the highlights.
Two opening receptions made me very happy about my alma mater, the University of Texas at Austin. There’s growing excitement about the maturing cultural attractions on or near campus. One week apart, we attended “Vaudeville” at the Ransom Center and “Form into Spirit: Ellsworth Kelly‘s Austin” at the Blanton Museum of Art. Both were mobbed with fans. Within fairly easy walking distance are the LBJ Presidential Library, Briscoe Center for American History, Bullock Texas State HistoryMuseum, the UT Visual Arts Center and more than a dozen public art projects from the Landmarks program, all worthy of sustained attention. Good times.
Although traditional story ballets and evening-length concept concerts are always welcome, I’m partial to short abstract pieces, such as the three on display during “Masters of Dance” from Ballet Austin at the Long Center. Reserve time for dance at its purest: music and movement aided by minimal design elements. Loved the furling and unfurling, folding and unfolding to Philip Glass‘s music in Justin Peck’s “In Creases.” Enjoyed the beskirted, stuttering angularity of Pam Tanowitz’s “Shade.” David L. Lang‘s music for it? Not so much, despite conductor Peter Bay‘s valiant efforts. The third slot was reserved for a revival of Stephen Mills‘s rhythmically mesmerizing “Kai” set to the percussion of composer John Cage. I’d see this again and again for as long as dancers dance.